![]() That misogyny is balanced out, if such a thing can be balanced out, by Juliet’s relationships with her quirky family of zombie hunters and her boyfriend, Nick, a talking severed head who wears a collar and attaches to Juliet’s hip by a chain. Little of it is printable on a blog hosted by a family newspaper. Specifically, the taunts of the enemies Juliet mows down sound like they were penned by a committee of sex offenders pumped full of coffee and locked in a closet for an all-night dialogue brainstorming session. But Juliet’s girl power is undermined by the way secondary characters relate to her. Whether it’s chauvinistic cretins talking smack online, so-called “booth babes” at trade shows or in-game cameras that ogle an otherwise strong female protagonist, gaming can feel as welcoming to women as an all-male country club.Įven though “Lollipop Chainsaw,” in which a high school cheerleader slices up zombies with a power saw, stars a character who could launch adolescent fantasies, the game portrays Juliet Starling as an assertive, independent-minded no-nonsense hero.Īs it stumbles and lurches, “Lollipop Chainsaw” frequently comes close to being gaming’s equivalent of “Buffy the Vampire Slayer” - a fun, campy celebration of butt-kicking femininity that reveres rather than leers. Video game culture, usually deservedly, takes a lot of flak for the way it treats women. ![]() "Lollipop Chainsaw's" heroine, Juliet Starling, is reminiscent of Buffy the Vampire Slayer. ![]()
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